
Louis Comfort Tiffany (1848-1933) started it all by making lovely lampshades with many intricately cut pieces of glass to create florals that drip with color, shine and glisten when lit.
Stained glass windows are made using lead channels soldered together to enclose the stained glass. But that method is heavy and not flexible enough to make the domed and rounded shapes Tiffany wanted for his lampshades, using the newly available translucent 'milky' opalescent glass. It did not allow him the lighter weight and extremely fine detail that became his signature style.
Tiffany developed the copper foil method of wrapping the glass.
He decided to cut thin foil sheets into strips and applied an adhesive, to wrap the edges of the glass in the copper metal foil to solder them together with a lightweight and flexible strip of metal. Imagine cutting all those copper sheet strips individually by hand!
His first lampshades made using this technique were made around 1895. He arranged the bits and pieces of discarded or broken glass from production of stained glass windows to make the lampshades, collaborating with Thomas Edison to create electric lamps with exquisite stained glass shades.
Sometimes we forget that electric lighting doesn't go back all that far in history!
You can wrap almost anything in copper foil tape - glass, stones, marbles. Metal, ceramics - anything that can withstand the acidity of the flux and take the high temperatures of the soldering iron.

Stained glass windows are made using lead channels soldered together to enclose the stained glass. But that method is heavy and not flexible enough to make the domed and rounded shapes Tiffany wanted for his lampshades, using the newly available translucent 'milky' opalescent glass. It did not allow him the lighter weight and extremely fine detail that became his signature style.

He decided to cut thin foil sheets into strips and applied an adhesive, to wrap the edges of the glass in the copper metal foil to solder them together with a lightweight and flexible strip of metal. Imagine cutting all those copper sheet strips individually by hand!
His first lampshades made using this technique were made around 1895. He arranged the bits and pieces of discarded or broken glass from production of stained glass windows to make the lampshades, collaborating with Thomas Edison to create electric lamps with exquisite stained glass shades.
Sometimes we forget that electric lighting doesn't go back all that far in history!
You can wrap almost anything in copper foil tape - glass, stones, marbles. Metal, ceramics - anything that can withstand the acidity of the flux and take the high temperatures of the soldering iron.
Hints and tips for protecting and using
copper foil sheet and tape:

2. Be sure whatever you are wrapping with the foil is really clean and dry. Use alcohol to clean glass, it removes oil from your cutting tool or fingers and evaporates quickly leaving no trace of residue behind. If you've used the grinder on your glass to shape it, it's worth taking the time to scrub the edges briskly in a small bowl of soapy water with a discarded soft bristle toothbrush, to make sure all the grinder residue is gone. This helps the adhesive adhere tightly.

4. Avoid the springy loose strands of foil going everywhere, this promotes oxidation over large areas of foil. I use a twist-tie around the roll from the middle to the outside edge and keep the roll tightly packed. This keeps the air away from the inner layers of your foil and keeps it from unrolling, twisting and getting creased and bent before you can use it.
5. Copper foil comes with various backings available, in regular copper, silvertoned and black. There's also a new foil available in brass sheets. Choose the foil that works best for your project - if you are doing a black patina on your piece and the glass is transparent, use black-backed foil so it harmonizes when your project is finished.

7. If you do have to remove the foil and try again to reapply after you've soldered it, soak your glass in soapy water and scrub well with a brass brush to remove all the old sticky residue before you reapply the tape. The water makes the foil release better, and the brass brush cleans all the remainder of the old tape before you try again on a clean glass surface.
Hope these copper foil tips and hints are useful! They've been learned in the school of hard knocks and experience and shared here so you don't have to learn them the same way. Let me know if you are curious about more stained glass - soldering - copper foil tips!
4 comments:
Wonderful post Lynn. Very clear. I'm inspired to get my mum to show me the ropes. She's done leadlight for years. Thanks, LeAnn
Thanks, LeAnn. You can (if you want to try it) wrap ceramic pieces in copper foil and solder them, it works well! It's also interesting to combine glass, metal and ceramic in one mixed-media piece. Just be patient when you're first learning and watch that iron, it is HOT-HOT!
If you do try it out, I'd love to see....
Hello Lynn,
Thanks for the clear directions and for pointing out what has caused me the most problems: trying to work on a piece that is not properly cleaned in the first place. You should have heard my hand slap my forehead -- Duh!
Emanda
Interesting, Emanda, because my 'light bulb moment' was about the oxidization and failure to burnish enough to stick down the copper foil tape.
But yes, little fingerprint oils will interfere with the sticking down, which is the first step to a do-over, at least for me!
Glad this helped!
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